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Appetite for Destruction (Lyrics included with album)

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$13.99

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1 Disc(s)

  1. 1.

    Welcome to the Jungle 4:32

    Guns N' Roses

    Play Welcome to the Jungle
  2. 2.

    It's So Easy 3:21

    Guns N' Roses

    Play It's So Easy
  3. 3.

    Nightrain 4:26

    Guns N' Roses

    Play Nightrain
  4. 4.

    Out Ta Get Me 4:20

    Guns N' Roses

    Play Out Ta Get Me
  5. 5.

    Mr. Brownstone 3:46

    Guns N' Roses

    Play Mr. Brownstone
  6. 6.

    Paradise City 6:45

    Guns N' Roses

    Play Paradise City
  7. 7.

    My Michelle 3:38

    Guns N' Roses

    Play My Michelle
  8. 8.

    Think About You 3:49

    Guns N' Roses

    Play Think About You
  9. 9.

    Sweet Child O' Mine 5:54

    Guns N' Roses

    Play Sweet Child O' Mine
  10. 10.

    You're Crazy 3:16

    Guns N' Roses

    Play You're Crazy
  11. 11.

    Anything Goes 3:25

    Guns N' Roses

    Play Anything Goes
  12. 12.

    Rocket Queen 6:14

    Guns N' Roses

    Play Rocket Queen

Description

Guns N' Roses' debut, Appetite for Destruction was a turning point for hard rock in the late '80s -- it was a dirty, dangerous, and mean record in a time when heavy metal meant nothing but a good time. On the surface, Guns N' Roses may appear to celebrate the same things as their peers -- namely, ******, liquor, drugs, and rock roll -- but there is a nasty edge to their songs, since Axl Rose doesn't see much fun in the urban sprawl of L.A. and its parade of heavy metal thugs, cheap women, booze, and crime. The music is as nasty as the lyrics, wallowing in a bluesy, metallic hard rock borrowed from Aerosmith, AC/DC, and countless faceless hard rock bands of the early '80s. It's a primal, sleazy sound that adds grit to already grim tales. It also makes Rose's misogyny, fear, and anger hard to dismiss as merely an artistic statement; this is music that sounds lived-in. And that's exactly why Appetite for Destruction is such a powerful record -- not only does Rose have fears, but he also is vulnerable, particularly on the power ballad "Sweet Child O' Mine." He also has a talent for conveying the fears and horrors of the decaying inner city, whether it's on the charging "Welcome to the Jungle," the ****** ode "Mr. Brownstone," or "Paradise City," which simply wants out. But as good as Rose's lyrics and screeching vocals are, they wouldn't be nearly as effective without the twin-guitar interplay of Slash and Izzy Stradlin, who spit out riffs and solos better than any band since the Rolling Stones, and that's what makes Appetite for Destruction the best metal record of the late '80s. Stephen Thomas Erlewine, All Music Guide

Details

Description

    Guns N' Roses' debut, Appetite for Destruction was a turning point for hard rock in the late '80s -- it was a dirty, dangerous, and mean record in a time when heavy metal meant nothing but a good time. On the surface, Guns N' Roses may appear to celebrate the same things as their peers -- namely, ******, liquor, drugs, and rock roll -- but there is a nasty edge to their songs, since Axl Rose doesn't see much fun in the urban sprawl of L.A. and its parade of heavy metal thugs, cheap women, booze, and crime. The music is as nasty as the lyrics, wallowing in a bluesy, metallic hard rock borrowed from Aerosmith, AC/DC, and countless faceless hard rock bands of the early '80s. It's a primal, sleazy sound that adds grit to already grim tales. It also makes Rose's misogyny, fear, and anger hard to dismiss as merely an artistic statement; this is music that sounds lived-in. And that's exactly why Appetite for Destruction is such a powerful record -- not only does Rose have fears, but he also is vulnerable, particularly on the power ballad "Sweet Child O' Mine." He also has a talent for conveying the fears and horrors of the decaying inner city, whether it's on the charging "Welcome to the Jungle," the ****** ode "Mr. Brownstone," or "Paradise City," which simply wants out. But as good as Rose's lyrics and screeching vocals are, they wouldn't be nearly as effective without the twin-guitar interplay of Slash and Izzy Stradlin, who spit out riffs and solos better than any band since the Rolling Stones, and that's what makes Appetite for Destruction the best metal record of the late '80s. Stephen Thomas Erlewine, All Music Guide

Features

Additional Information

  • DPCI: 012-06-1336
  • ASIN: B002FMB5ZK
  • Catalog #: 11296388
  • Item can not be gift wrapped.

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